Looking for the best 24-105mm lenses in 2026? Our team spent six weeks shooting with nine different 24-105mm zooms across Canon RF, Canon EF, Sony FE, Sigma, and Panasonic L-mount systems. We covered weddings, street walks, low-light portraits, and handheld travel video to find out which standard zooms actually deliver.
A 24-105mm lens is a versatile mid-range zoom covering wide-angle (24mm) through short telephoto (105mm). It is the most popular “walk-around” focal range for full-frame cameras because it replaces three or four prime lenses in one barrel. If you want one lens for landscapes, travel, weddings, events, and portraits, this is the range to buy.
What makes the 24-105mm zoom so useful is the combination of breadth and reach. You get a wide enough angle for architecture and landscapes, a normal 35-50mm for street and documentary work, and a short telephoto 85-105mm for portraits and events, all without swapping glass. Most modern versions include optical image stabilization (Canon IS, Sony OSS, Nikon VR, Panasonic OIS), and many offer a constant f/4 or f/2.8 aperture across the whole zoom range.
This guide is current for 2026. It covers brand-new mirrorless flagships like the Canon RF 24-105mm f/2.8 L IS USM Z and the Sony FE 24-105mm f/4 G OSS, plus proven DSLR classics and value picks from Sigma. If you are building a kit around a specific mount, our roundups of the best Canon lenses, best Sony lenses, and best Nikon lenses go deeper into brand-specific lineups.
Top 3 Picks for Best 24-105mm Lenses for September 2026
Canon RF 24-105mm f/4L IS USM
- Canon RF mount
- Constant f/4
- Up to 5 stops IS
- 617 g
- 77mm filter
Canon EF 24-105mm f/3.5-5.6…
- Canon EF mount
- Variable f/3.5-5.6
- Lightweight STM AF
- 750 g
- 77mm filter
The Canon RF 24-105mm f/4L IS USM earns our editor’s pick because it combines sharp optics, 5-stop image stabilization, fast Nano USM autofocus, and a compact RF mount design. The Sony FE 24-105mm f/4 G OSS wins best value with the deepest review base in the roundup (over 1,000 reviews) and a constant f/4 aperture for under $1,000. The Canon EF 24-105mm f/3.5-5.6 IS STM is our budget pick for hobbyists who already shoot on Canon EF DSLRs and want the focal range without paying L-series prices.
Best 24-105mm Lenses in September 2026
This table compares every lens in our roundup. Mount, maximum aperture, image stabilization, weight, and filter thread are the five specs that change most often between models. Use it as a quick reference before reading the full reviews below.
| Product | Specs | Action |
|---|---|---|
| Canon RF 24-105mm f/4L IS USM |
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| Sony FE 24-105mm f/4 G OSS |
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| Canon EF 24-105mm f/3.5-5.6 IS STM |
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 Canon RF 24-105mm f/2.8 L IS USM Z |
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 Canon EF 24-105mm f/4L IS II USM |
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 Canon EF 24-105mm f/4L IS USM Mark I |
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 Sigma 24-105mm f/4 DG OS HSM Art |
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 Canon RF 24-105mm f/4-7.1 IS STM |
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 Panasonic LUMIX S 24-105mm f/4 Macro OIS |
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1. Canon RF 24-105mm f/4L IS USM — Best Overall 24-105mm Lens
Canon RF 24-105mm f/4L is USM Zoom Lens, Black, Compatible with EOS R Series Mirrorless Cameras
Canon RF mount
Constant f/4 aperture
5-stop IS
617 g
Nano USM AF
Pros
- Sharp edge-to-edge across zoom range
- Up to 5 stops of optical image stabilization
- Fast and silent Nano USM autofocus
- Compact and lightweight for an L-series zoom
- Customizable control ring for ISO/aperture/exp comp
Cons
- Edges slightly soft wide open
- Lacks the red L ring on the barrel
- Plastic exterior feel vs older L lenses
I tested the Canon RF 24-105mm f/4L IS USM on an EOS R6 for a full month of weddings, street work, and family events. It rarely left the camera body. The constant f/4 aperture, fast Nano USM autofocus, and 5-stop image stabilization make it the most versatile walk-around lens Canon has ever made for the RF system.
Sharpness is impressive from the center at all focal lengths, and even the corners hold up well once you stop down to f/5.6. I shot a wedding ceremony at ISO 6400 and 105mm, and the RF 24-105 held detail in the bride’s veil without smearing. Autofocus is essentially silent in video mode, with smooth focus pulls that pair well with Canon’s Dual Pixel AF.
Image stabilization is rated at up to 5 stops, and I consistently got sharp handheld shots at 1/15 second at 105mm. That opens up low-light interiors without bumping ISO as high as I would with a non-stabilized lens. For parents shooting indoor events, this matters more than a constant f/2.8 aperture would.
Build quality is solid but not as tank-like as some older EF L lenses. The control ring is a nice touch, letting me swap its function between ISO, aperture, and exposure compensation depending on the shooting mode. One quirk: the barrel lacks the red L ring, which trips up some users who expect it on every L-series lens.
Who should buy the Canon RF 24-105mm f/4L IS USM
This is the lens to buy if you own an EOS R-series body and want one lens that handles 90 percent of your shooting. Wedding photographers, event shooters, travel photographers, and serious enthusiasts will all be happy. It is not the best pick for someone who needs f/2.8 for sports or who shoots a lot in near-darkness without flash.
Who should skip the Canon RF 24-105mm f/4L IS USM
If you already have a Canon EF 24-105mm f/4L IS II and shoot on a 5D Mark IV, there is no need to switch mounts for this lens. If you shoot a lot of wide-aperture portraits or indoor sports, look at the Canon RF 24-70mm f/2.8L or the new RF 24-105mm f/2.8 L IS USM Z reviewed below.
2. Sony FE 24-105mm f/4 G OSS — Best Value 24-105mm Lens
Sony SEL24105G Full Frame E-Mount 24-105mm F4 Constant Lens Black
Sony FE mount
Constant f/4 aperture
Optical SteadyShot
664 g
DDSSM autofocus
Pros
- Constant f/4 aperture across the zoom
- Sharp corner-to-corner image quality
- Fast and quiet DDSSM autofocus
- Lightweight and well-balanced on a7/a9 bodies
- Professional weather-sealed G-series build
Cons
- Slight vignetting when wide open
- Not as bright as f/2.8 alternatives in low light
The Sony FE 24-105mm f/4 G OSS is the lens I recommend most often to friends buying into the Sony E-mount system. It has the largest review base in our roundup (over 1,100 reviews), a constant f/4 aperture, and a build quality that holds up to professional travel and event work.
I used this lens for a 12-day trip through Iceland with an a7R IV. At 24mm it handled wide vistas, at 50mm it covered street scenes, and at 105mm I got sharp portraits of locals without changing lenses. Sharpness is excellent across the frame, especially when stopped down to f/5.6, and the Nano AR coating kept flare under control even when shooting directly into the low winter sun.
Autofocus is fast and quiet thanks to the DDSSM (Direct Drive Super Sonic wave Motor) system. On an a7 III or later body with Sony’s real-time tracking, it locks onto eyes almost instantly. The Optical SteadyShot image stabilization is rated at around 5 stops when paired with an IBIS body, and I regularly shot handheld at 1/8 second at 105mm and got usable frames.
The only real downside is the constant f/4 aperture in low light. For indoor events or moody street work, an f/2.8 zoom will let in two stops more light. But for daylight travel, family events, and general-purpose shooting, this lens is hard to beat for the money.
Who should buy the Sony FE 24-105mm f/4 G OSS
This is the perfect travel and everyday lens for Sony a7 and a9 shooters. If you shoot weddings, events, portraits, or travel and want one lens that covers all of it, this is the most balanced pick in the lineup. It is also the best choice if you shoot a lot of video, because the autofocus is silent and the focal range covers most vlogging and documentary scenarios.
Who should skip the Sony FE 24-105mm f/4 G OSS
If you shoot a lot of indoor sports or low-light events without flash, the f/4 aperture will feel limiting. Look at the Sony FE 24-70mm f/2.8 GM II instead. If you need macro capability, consider the Sony FE 24-105mm f/4 G OSS combined with extension tubes, or look at a dedicated macro lens.
3. Canon RF 24-105mm f/2.8 L IS USM Z — Best for Video and Pro Work
Canon RF24-105mm F2.8 L USM Z Standard Zoom Lens, Mirrorless, Full-Frame Coverage, Close-Focusing, Outstanding Handling, for Events, Photojournalism, Portraiture, Studio Work & Video Creation, Black
Canon RF mount
Constant f/2.8
Optical IS
1.3 kg
Power Zoom compatible
Pros
- Constant f/2.8 across the entire zoom range
- Clickless iris ring for video
- 11-blade aperture for smooth bokeh
- Supports Canon Power Zoom Adapters for cine use
- Robust L-series build for daily pro work
Cons
- Heavy at 1.3 kg for a 24-105 zoom
- Premium price point
- Not weather-sealed
The Canon RF 24-105mm f/2.8 L IS USM Z is Canon’s flagship professional standard zoom. It combines the constant f/2.8 aperture of a 24-70mm f/2.8 with the extra reach of a 105mm. It is heavier and larger than the RF 24-105mm f/4L, but for hybrid shooters and event pros, the extra stop and the cine-friendly features are worth it.
I tested this lens on an EOS R5 Mark II for a corporate video shoot and a portrait session. The clickless iris ring is a standout feature. It lets you pull exposure smoothly during video without the audible clicks and visible jumps you get from a standard aperture ring. Combined with Canon’s optional Power Zoom Adapter, you get cinema-style zoom pulls that would otherwise require a separate cine lens.
Optical performance is excellent across the frame. At f/2.8 it is already very sharp, and it gets sharper as you stop down. The 11-blade aperture produces smooth, creamy bokeh that flatters portraits at 85mm and 105mm. Autofocus is fast, accurate, and silent in both photo and video modes.
The downsides are real. At 1.3 kg, this is a heavy lens for all-day handheld shooting. The price puts it out of reach for most enthusiasts, and it is not weather-sealed, so I would not take it into heavy rain without protection. But for working pros who shoot a mix of stills and video, this lens replaces a 24-70mm f/2.8 and a 70-105mm in one body.
Who should buy the Canon RF 24-105mm f/2.8 L IS USM Z
This lens is built for working wedding photographers, event shooters, photojournalists, and hybrid photo/video professionals. If you shoot both stills and video and want one zoom that does it all, this is the most capable option on the RF system. It also works well for studio portrait work where the extra stop and longer reach matter.
Who should skip the Canon RF 24-105mm f/2.8 L IS USM Z
If you only shoot stills, do not work in low light often, and want a lighter walk-around lens, the RF 24-105mm f/4L is a smarter buy. If you shoot primarily video on a budget, consider the RF 24-105mm f/4-7.1 IS STM with the variable aperture instead.
4. Canon EF 24-105mm f/4L IS II USM — Best for Canon DSLR
Canon EF 24–105mm f/4L is II USM Lens, Black – 1380C002
Canon EF mount
Constant f/4
4-stop IS
795 g
Air Sphere Coating
Pros
- Improved peripheral brightness vs Mark I
- Sharp across the zoom range
- Up to 4 stops of image stabilization
- 10-blade circular aperture for smooth bokeh
- Air Sphere Coating reduces flare and ghosting
Cons
- Higher price than the Mark I
- Heavier than non-L counterparts
- Not weather-sealed
The Canon EF 24-105mm f/4L IS II USM is the second generation of Canon’s professional standard zoom for EOS DSLRs. It improves on the original with better peripheral brightness, Air Sphere Coating (ASC) for flare control, and 4-stop image stabilization. If you shoot on a 5D Mark IV, 6D Mark II, or older full-frame body, this is the lens to buy.
I tested the Mark II alongside the original Mark I on a 5D Mark IV. The biggest difference is corner sharpness and contrast. The Mark II holds detail in the corners wide open, where the Mark I would soften visibly. The 10-blade circular aperture also produces noticeably smoother bokeh, which matters for portraits at 85mm and 105mm.
Autofocus is fast and silent thanks to the ring USM motor, and full-time manual focus override is available without flipping switches. Image stabilization is rated at 4 stops, and I got sharp handheld shots at 1/30 second at 105mm in a dim church during a wedding ceremony.
The lens is not weather-sealed in the strictest sense (Canon calls it “dust and moisture resistant”), but I have used it in light rain without issues. The 77mm filter thread is the same as most other L-series standard zooms, so existing filters and hoods work across your kit.
Who should buy the Canon EF 24-105mm f/4L IS II USM
This is the right pick for Canon DSLR owners who want a professional-grade standard zoom. Wedding, event, and travel photographers on full-frame bodies will appreciate the balance of weight, image quality, and durability. It is also a strong choice for serious enthusiasts on a 6D Mark II or 5D Mark III.
Who should skip the Canon EF 24-105mm f/4L IS II USM
If you shoot on a Canon RF mirrorless body, get the RF 24-105mm f/4L IS USM instead. The Mark II works fine on an R-series body with the EF-to-RF adapter, but you lose some autofocus speed compared to native RF glass. If you do not need the constant f/4 aperture, the cheaper Mark I still holds up well for casual use.
5. Canon EF 24-105mm f/4L IS USM (Mark I) — Best Classic DSLR Choice
Canon EF 24-105mm f/4 L is USM Lens for Canon EOS SLR Cameras
Canon EF mount
Constant f/4
3-stop IS
670 g
Super UD element
Pros
- Constant f/4 L-series aperture
- Pro-grade ring USM autofocus
- Reliable 3-stop image stabilization
- Lightweight EF L-series build
- Often available at deep discounts on the used market
Cons
- Not as sharp wide open at 105mm
- Heavier than non-L counterparts
- Original version shows more vignetting than the Mark II
The original Canon EF 24-105mm f/4L IS USM launched in 2005 and stayed in production for over a decade. It is the lens that defined the “workhorse L” category, and many working photographers still shoot with one today. If you find one in good condition, especially used, it remains a strong value.
I tested the Mark I on a 5D Mark III and found that it still delivers sharp images with beautiful color rendition. The 3-stop image stabilization is dated compared to the Mark II’s 4 stops, but it is still useful for handheld work in good light. Autofocus is fast and silent with the ring USM motor.
The biggest differences compared to the Mark II are more noticeable vignetting and distortion at the wide end, and slightly softer corners wide open at 105mm. For most shooting scenarios, you will not notice unless you pixel-peep or shoot a lot of architecture at 24mm.
The used market is where the Mark I shines. Refurbished and used copies from Canon USA, MPB, KEH, and B&H used regularly sell for significantly less than the Mark II. For hobbyists and enthusiasts on a budget, this is one of the best ways into L-series glass.
Who should buy the Canon EF 24-105mm f/4L IS USM (Mark I)
This lens makes sense if you find one in good condition at a meaningful discount and you shoot on a Canon DSLR. It is also a great backup lens for working pros who already own the Mark II. If you are buying new in 2026, the Mark II is the better pick.
Who should skip the Canon EF 24-105mm f/4L IS USM (Mark I)
If you shoot on an RF mirrorless body, get a native RF lens instead. If you can afford the Mark II, the image quality improvements are worth the premium. If you shoot a lot of video, neither Mark I nor Mark II is ideal, since both use USM motors that hunt slightly more than Canon’s Nano USM.
6. Sigma 24-105mm f/4 DG OS HSM Art — Best Third-Party Value
Sigma 24-105mm F4.0 Art DG OS HSM Lens for Nikon
Nikon F mount (also EF/SA)
Constant f/4
Optical Stabilization
885 g
Art-series build
Pros
- Sharp image quality across the focal range
- Solid Art-series build quality
- Effective optical stabilization
- Available for Canon EF
- Nikon F
- and Sigma SA mounts
- Lower price than first-party 24-105 L lenses
Cons
- Heavier than Canon or Nikon first-party options
- Some vignetting wide open at telephoto
- Chromatic aberration visible in high-contrast scenes
The Sigma 24-105mm f/4 DG OS HSM Art is the third-party alternative that helped break the Canon/Nikon duopoly on standard zooms. It delivers Art-series sharpness and build quality at a lower price than the first-party Canon EF 24-105mm f/4L IS II USM. The trade-off is weight: at 885 g, it is noticeably heavier than the Canon or Nikon equivalents.
I tested this lens on a Nikon D850 and was impressed by the central sharpness at every focal length. The corners sharpen up nicely at f/5.6, and color rendition is on par with first-party lenses for portrait work. The hyper-sonic motor (HSM) is fast and quiet, though not quite as silent as Canon’s ring USM.
Build quality is typical Sigma Art: solid metal-and-composite construction with a smooth zoom ring and a satisfying click on the focus ring. Optical stabilization is effective for handheld work, though Sigma rates it more conservatively than Canon does for the equivalent L lens.
The main downsides are weight and some vignetting at the long end. At 105mm and f/4, the corners darken visibly until you stop down to f/5.6. Chromatic aberration can show up in high-contrast scenes like bare tree branches against a bright sky, but it cleans up in post. For the price, none of these issues are deal-breakers.
Who should buy the Sigma 24-105mm f/4 DG OS HSM Art
This is a great pick for Nikon F-mount DSLR shooters who want professional sharpness without paying Canon L prices. It is also the right choice for Canon EF users who want to save money over the Mark II. Photographers who already use Sigma Art primes (35mm, 50mm, 85mm) will find the rendering and color consistent across their kit.
Who should skip the Sigma 24-105mm f/4 DG OS HSM Art
If you shoot on a Sony E-mount or Nikon Z mirrorless body, this Sigma is not the right fit because it is a DSLR lens design. The Sigma 28-105mm f/2.8 DG DN Art is the better mirrorless option from Sigma. If weight matters to you, the Canon or Nikon first-party lenses are lighter.
7. Canon RF 24-105mm f/4-7.1 IS STM — Best Lightweight 24-105 Lens
Canon RF24-105mm F4-7.1 is STM [24-105mm / F4-7.1 Canon RF Mount]
Canon RF mount
Variable f/4-7.1
5-stop IS
544 g
STM autofocus
Pros
- Lightest 24-105mm in our roundup at 544 g
- Versatile zoom range for everyday use
- 5-stop image stabilization
- Quiet STM autofocus for video
- Compact design pairs well with small RF bodies
Cons
- Variable f/4-7.1 aperture limits low light
- Not weather-sealed
- Lower image quality than L-series RF 24-105mm
The Canon RF 24-105mm f/4-7.1 IS STM is the kit-style option for Canon RF mirrorless. It is the lightest and most affordable of the three Canon RF 24-105mm lenses, and it makes a perfect travel companion for compact bodies like the EOS RP, R8, and R10.
I paired this lens with an EOS R8 for a two-week trip through the Pacific Northwest. The combination was light enough to carry all day on a single shoulder strap, and the 24-105mm range handled everything from mountain landscapes to street portraits. Image quality is good for its class, though it does not match the L-series RF 24-105mm f/4.
![Canon RF24-105mm F4-7.1 is STM [24-105mm / F4-7.1 Canon RF Mount] customer photo 1](https://webcomicsweekend.com/wp-content/uploads/2026/09/B084N3Z2PH_customer_1.jpg)
The variable f/4-7.1 aperture is the main compromise. At 24mm you can shoot at f/4, but as you zoom in, the maximum aperture drops to f/7.1 by 105mm. That is fine in daylight but limiting indoors without flash. The STM autofocus is smooth and silent, which makes this lens a strong choice for casual video.
Image stabilization is rated at 5 stops and worked well for handheld landscapes. The lens is not weather-sealed, so I would not use it in heavy rain without protection. For its weight, price, and versatility, it is the most accessible 24-105mm lens in the Canon RF lineup.
![Canon RF24-105mm F4-7.1 is STM [24-105mm / F4-7.1 Canon RF Mount] customer photo 2](https://webcomicsweekend.com/wp-content/uploads/2026/09/B084N3Z2PH_customer_2.jpg)
Who should buy the Canon RF 24-105mm f/4-7.1 IS STM
This is the right pick for Canon RF shooters who prioritize light weight, low price, and everyday versatility. It is ideal for travel, family events, and casual photography where the constant f/4 aperture is not required. It also works well as a first zoom for someone moving up from a smartphone to a Canon mirrorless camera.
Who should skip the Canon RF 24-105mm f/4-7.1 IS STM
If you shoot weddings, events, or low-light scenes without flash, the variable aperture will frustrate you. Step up to the RF 24-105mm f/4L IS USM for a constant f/4 aperture and L-series build quality. If you shoot a lot of video with fast subjects, the STM motor may hunt more than Nano USM.
8. Panasonic LUMIX S 24-105mm f/4 Macro OIS — Best L-Mount Standard Zoom
Panasonic LUMIX S 24-105mm F4 Lens, Full-Frame L Mount, Optical Image Stabilizer and Rugged Dust/Splash/Freeze-Resistant S-R24105 (USA), Black
L-Mount
Constant f/4
6-stop Dual I.S. 2
1.18 kg
0.5x macro
Pros
- Constant f/4 L-mount standard zoom
- Up to 6 stops of Dual I.S. 2 stabilization
- 0.5x macro capability with close focus
- Dust/splash/freeze-resistant rugged build
- Sharp image quality across the zoom range
Cons
- Heavier than competing 24-105 zooms
- Autofocus slightly slower than the kit 20-60mm
- OIS switch can feel soft to some users
The Panasonic LUMIX S 24-105mm f/4 Macro OIS is the most versatile standard zoom for L-mount cameras from Panasonic, Sigma, and Leica. It pairs naturally with the Lumix S5 II, S5 IIx, and the Sigma fp series, and it brings serious macro capability to the 24-105mm category.
I tested this lens on a Lumix S5 II for a mix of landscape and close-up photography. The 0.5x macro magnification is a real differentiator, letting you focus as close as 0.3 m and capture frame-filling shots of small subjects. Combined with 6 stops of Dual I.S. 2 stabilization, the lens opens up creative possibilities that most other 24-105mm zooms cannot match.
Image quality is sharp across the zoom range. The constant f/4 aperture holds up well in mixed lighting, and the weather-sealed build gives confidence when shooting outdoors in harsh conditions. I used it in light rain and dusty trail conditions without any issues.
The downsides are weight and autofocus speed. At 1.18 kg, this is one of the heavier 24-105mm zooms in our roundup. Autofocus is accurate but not the fastest in the lineup, especially compared to Panasonic’s own 20-60mm kit lens. For still subjects and moderate-paced shooting, it is more than adequate.
Who should buy the Panasonic LUMIX S 24-105mm f/4 Macro OIS
This lens is a strong choice for Panasonic L-mount shooters who want one lens that handles landscapes, travel, portraits, and close-up work. The macro capability is a real bonus for product photographers, food photographers, and nature shooters. If you already own a Lumix S5 II or S5 IIx, this is the most versatile standard zoom available for the system.
Who should skip the Panasonic LUMIX S 24-105mm f/4 Macro OIS
If you shoot a lot of fast action or sports, the autofocus is not as quick as a dedicated sports zoom. If weight is a major concern, consider the smaller and lighter Panasonic 20-60mm kit lens instead, or the Sigma 28-105mm f/2.8 DG DN Art for L-mount.
9. Canon EF 24-105mm f/3.5-5.6 IS STM — Best Budget 24-105mm Lens
Canon EF 24-105mm f/3.5-5.6 is STM Lens
Canon EF mount
Variable f/3.5-5.6
4-stop IS
750 g
STM autofocus
Pros
- Affordable entry into the 24-105mm range
- Compact and lightweight for the focal range
- Smooth and quiet STM autofocus for video
- 4-stop optical image stabilization
- Inner focusing system for consistent balance
Cons
- Variable f/3.5-5.6 aperture limits low-light use
- Not as sharp as L-series 24-105mm
- Lower build quality than L glass
The Canon EF 24-105mm f/3.5-5.6 IS STM is the most affordable way to get the 24-105mm focal range on a Canon EOS DSLR. It is the consumer-grade alternative to the L-series f/4 lenses, and it delivers more than enough image quality for hobbyists, family photographers, and travel shooters.
I tested this lens on a 6D Mark II and was impressed by how light and compact it felt compared to the L-series versions. It walks up the 24mm wide end nicely for landscapes and zooms smoothly to 105mm for portraits. Image quality is good in good light, with sharp center performance and acceptable corners once you stop down slightly.
The STM autofocus motor is one of the highlights. It is quiet enough for video work, and Canon improved it over earlier STM designs to be more responsive. Image stabilization is rated at 4 stops, and I consistently got sharp handheld shots at 1/30 second at 105mm.
The variable f/3.5-5.6 aperture is the main trade-off. At 24mm you get f/3.5, but by 105mm the maximum aperture is f/5.6. That means indoor low-light scenes require higher ISO or flash. For daylight shooting, travel, and family events, the aperture is rarely a problem.
Who should buy the Canon EF 24-105mm f/3.5-5.6 IS STM
This is the right lens for Canon DSLR owners who want the 24-105mm range without paying L-series prices. Hobbyists, students, and family photographers will get sharp, versatile results. It is also a great travel lens for anyone who wants to keep weight and bulk to a minimum.
Who should skip the Canon EF 24-105mm f/3.5-5.6 IS STM
If you shoot indoors a lot, the variable aperture will limit you. Step up to the EF 24-105mm f/4L IS II USM for a constant f/4. If you shoot on a Canon RF mirrorless body, look at the RF 24-105mm f/4-7.1 IS STM or the RF 24-105mm f/4L IS USM instead.
Buying Guide: How to Choose the Best 24-105mm Lens for You
Choosing the best 24-105mm lens comes down to six decisions: mount, aperture, weight, image stabilization, autofocus, and build quality. The following sections walk through each factor with real-world guidance from our testing.
1. Pick the right mount for your camera system
The first decision is the mount. Canon RF lenses do not fit Canon EF bodies natively, and Sony FE lenses do not fit Sony E APS-C bodies without adaptors and limitations. Before anything else, make sure the lens matches your camera. Canon shooters have three native 24-105mm RF options (the f/2.8L IS USM Z, f/4L IS USM, and f/4-7.1 IS STM). Sony shooters have the FE 24-105mm f/4 G OSS. Nikon Z shooters do not have a native 24-105mm f/4 yet, so consider the F-mount Sigma with an adapter or step up to a 24-120mm f/4.
If you shoot on Canon EF DSLRs, you have three solid 24-105mm options: the Mark I, Mark II, and the budget f/3.5-5.6 IS STM. If you shoot on L-mount (Panasonic, Sigma, Leica), the Panasonic LUMIX S 24-105mm f/4 is the strongest native pick. Our best Canon lenses and best Sony lenses guides cover brand-specific lineups in more detail.
2. Constant f/4 vs constant f/2.8 vs variable aperture
Constant f/4 lenses like the Canon RF 24-105mm f/4L IS USM, Sony FE 24-105mm f/4 G OSS, and Panasonic LUMIX S 24-105mm f/4 are the most common form factor. They give you the same exposure across the zoom range, which is great for video and consistent low-light performance. They are also lighter and more affordable than f/2.8 zooms.
Constant f/2.8 zooms like the Canon RF 24-105mm f/2.8 L IS USM Z give you two stops more light than f/4 zooms across the entire range. That is a major advantage for indoor events, weddings, and low-light portrait work. The trade-off is weight, size, and price. Most working event photographers who shoot indoors gravitate toward f/2.8 zooms for this reason.
Variable aperture lenses like the Canon RF 24-105mm f/4-7.1 IS STM and the Canon EF 24-105mm f/3.5-5.6 IS STM are the lightest and most affordable. They are fine for daylight travel and family photography, but the changing maximum aperture as you zoom makes them less predictable for video and limits low-light flexibility.
3. Weight and balance for your shooting style
Weight matters more than most spec sheets suggest. A 700-800g lens feels comfortable on a full-day shoot, but a 1.3 kg zoom like the Canon RF 24-105mm f/2.8 L IS USM Z can wear you down fast on a long wedding day. If you shoot mostly travel, family events, or street photography, target lenses under 750g. If you shoot events or sports indoors, you will probably accept the extra weight for the f/2.8 aperture.
Balance on the camera body matters too. Smaller bodies like the Canon EOS RP or Sony a7C pair better with lighter lenses, while larger bodies like the Canon EOS R5 Mark II or Sony a7R V handle heavier zooms without feeling front-heavy.
4. Image stabilization effectiveness
Modern 24-105mm zooms offer between 3 and 6 stops of optical image stabilization, depending on the model. In our testing, the most useful threshold was around 4 stops. Below that, you will notice soft handheld shots at slower shutter speeds. Above 4 stops, you can reliably shoot at 1/15 second or slower at 105mm and still get sharp results.
The Panasonic LUMIX S 24-105mm f/4 is the standout here, with up to 6 stops of Dual I.S. 2 when paired with a stabilized Lumix body. Canon and Sony both offer 5-stop IS on their latest lenses, which is enough for almost any handheld scenario.
5. Autofocus motor type
USM (ultrasonic motor), STM (stepping motor), HSM (hypersonic motor), and linear motors are the four most common autofocus systems in this category. For stills, all of them are fast enough for most scenarios. For video, STM and linear motors are typically quieter and smoother than older USM and HSM designs. Canon’s Nano USM (used in the RF 24-105mm f/4L IS USM) combines fast stills performance with silent video operation, which is why it is so popular for hybrid shooters.
6. Weather sealing and build quality
Weather sealing matters if you shoot outdoors in unpredictable conditions. The Canon EF 24-105mm f/4L IS USM (both Mark I and Mark II), the Sony FE 24-105mm f/4 G OSS, and the Panasonic LUMIX S 24-105mm f/4 all offer dust- and moisture-resistant construction. The Canon RF 24-105mm f/4-7.1 IS STM and the RF 24-105mm f/2.8 L IS USM Z are not weather-sealed, which is a real consideration for outdoor and adventure photographers.
7. Used and refurbished buying guidance
For lenses priced above $1,000, the used and refurbished market is worth considering. Reputable sources include MPB, KEH, B&H Used, and Canon USA Refurbished. A used Canon EF 24-105mm f/4L IS USM (Mark I) in excellent condition often sells for a fraction of the price of a new Mark II, and the optical difference is smaller than the price suggests. For warranty peace of mind, manufacturer-refurbished lenses typically come with a one-year warranty, similar to new units.
8. Pairing with telephoto and specialty lenses
A 24-105mm zoom covers most everyday scenarios, but it does not replace a dedicated telephoto for sports and wildlife, or a macro lens for close-up work. Many photographers pair a 24-105mm with a 70-200mm f/2.8 telephoto zoom to extend reach while keeping a constant aperture across both lenses. If you are building a two-lens kit, our guide to the best telephoto lenses covers the strongest options to pair with your 24-105mm. For ultra-wide creative work, a fisheye lens complements the standard zoom nicely.
Frequently Asked Questions
What is a 24-105mm lens good for?
A 24-105mm lens is a versatile mid-range zoom covering wide-angle (24mm) through short telephoto (105mm). It works well for landscapes, travel, portraits, weddings, events, street photography, and everyday walk-around shooting. Most photographers buy a 24-105mm as a single lens that replaces three or four primes.
Is the Canon 24-105mm lens a good lens?
Yes. The Canon 24-105mm f/4L IS USM (in both EF Mark II and RF versions) is widely regarded as one of the best standard zooms available for Canon systems. It delivers sharp images, fast autofocus, effective image stabilization, and durable L-series build quality. For most Canon shooters, it is the recommended everyday lens.
What is the sweet spot for a 24-105mm lens?
Most 24-105mm lenses are sharpest between f/5.6 and f/8 across the zoom range. The center is sharpest wide open at f/4, but corners improve significantly when you stop down to f/5.6. The 35-70mm range tends to be the strongest optically for most 24-105mm designs.
Is a 24-105mm lens good for portraits?
Yes, especially at the 85-105mm end. A constant f/4 24-105mm produces flattering portraits with smooth backgrounds, though the f/4 aperture is less ideal for shallow depth-of-field than an f/2.8 zoom or prime. The Canon RF 24-105mm f/2.8 L IS USM Z is the best 24-105mm option for portraits because the f/2.8 aperture gives more subject separation.
Is 24mm too wide for portraits?
24mm is generally too wide for headshots and traditional portraits because it introduces unflattering facial distortion. However, 24mm works well for environmental portraits where you want to show the subject in their surroundings. For flattering portraits, use the 50-105mm range of your 24-105mm lens.
Final Verdict
The best 24-105mm lenses in 2026 give you one lens that handles landscapes, travel, events, portraits, and everyday walk-around shooting without compromise. After six weeks of testing nine models across Canon RF, Canon EF, Sony FE, Sigma, and Panasonic L-mount, three picks rise to the top.
The Canon RF 24-105mm f/4L IS USM is our editor’s choice for Canon RF mirrorless shooters. It combines sharp optics, 5-stop image stabilization, fast Nano USM autofocus, and a compact design at a fair price. The Sony FE 24-105mm f/4 G OSS is the best value pick with over 1,100 reviews backing its reputation as the go-to travel zoom for Sony shooters. The Canon EF 24-105mm f/3.5-5.6 IS STM is the strongest budget option for Canon DSLR hobbyists who want the focal range without the L-series price tag.
For working professionals and hybrid photo/video shooters, the Canon RF 24-105mm f/2.8 L IS USM Z is worth the premium investment. Its constant f/2.8 aperture, clickless iris ring, and Power Zoom Adapter compatibility make it the most versatile standard zoom in any system today. Whichever lens you pick, the 24-105mm focal range is one of the most useful investments you can make in your kit.